{"id":14038,"date":"2019-06-19T13:26:55","date_gmt":"2019-06-19T17:26:55","guid":{"rendered":"https:\/\/textiles.ncsu.edu\/news\/?p=14038"},"modified":"2019-06-19T13:26:55","modified_gmt":"2019-06-19T17:26:55","slug":"studying-sneakerheads","status":"publish","type":"post","link":"https:\/\/textiles.ncsu.edu\/news\/2019\/06\/studying-sneakerheads\/","title":{"rendered":"Studying Sneakerheads"},"content":{"rendered":"\n

Written by Cameron Walker<\/span><\/em><\/p>\n\n\n\n

1985 brought us New Coke, CDs, Nintendo, the first version of operating system Windows and the films \u201cBack to the Future\u201d and \u201cThe Goonies.\u201d But perhaps the most significant pop culture development that year was the fruit of an endorsement deal between NBA rookie Michael Jordan and Nike<\/a>: the Air Jordan sneaker. It became an instant classic. The futuristic shoe captured lightning in a bottle — the possibility and promise of a rising basketball star was etched in its red, white and black colorway. This was the moment modern sneaker culture was born.<\/span><\/p>\n\n\n\n

Ever since, a thriving subculture of sneaker lovers has grown worldwide. They call themselves sneakerheads — those passionate about collecting and\/or trading sneakers. Sneakerheads eat, sleep and breathe sneakers; they will camp out for days to get their hands on a limited release pair, they visit trade shows and sneaker conventions, they scour apps and the internet to get the scoop on new celebrity collaborations and drop dates for designer shoes. Some own hundreds, even thousands of pairs, and some pay thousands of dollars for rare finds.<\/span><\/p>\n\n\n\n

The Study<\/b><\/p>\n\n\n\n

Textile and Apparel, Technology and Management<\/span><\/a> (TATM) assistant professor <\/span>Delisia Matthews<\/span><\/a> studies alternative consumption, in which individuals consume apparel, accessories and footwear in different ways or venues, such as fashion trucks or rented clothing.<\/span><\/p>\n\n\n\n

\u201cAnother way that their consumption could be different is them saying, ‘I don’t just buy here and there, but it is truly a part of my lifestyle and I choose to impulsively, compulsively buy,’\u201d she said. <\/span><\/p>\n\n\n\n

Enter sneakerheads, for whom compulsive consumption is part of life.  <\/span><\/p>\n\n\n\n

Fascinated by sneakerhead culture, Matthews and research assistant Nimet Degirmencioglu, a Ph.D. student in the <\/span>Textile Technology Management<\/span><\/a> program, embarked on a study to uncover and explore the consumer behavior, attitudes and motivations of sneakerheads. The research team also partnered with NC State Department of Social Work assistant professor <\/span>Qiana Cryer-Coupet<\/span><\/a>, who was interested in learning the social impact of the sneakerhead trend. <\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu presented their findings this spring at the National Conference of the Popular Culture Association\/American Culture Association<\/a> in Washington, D.C. <\/span><\/p>\n\n\n\n

In the summer of 2018, Matthews and Degirmencioglu conducted one-on-one, in-depth interviews with self-proclaimed sneakerheads in the Triangle area, starting with local stores. <\/span><\/p>\n\n\n\n

\u201cWhat we found is, once we started having these conversations, [the subjects] are so excited that people truly want to learn about the culture. And so they start sharing, ‘Hey, you need to talk to this guy. You think I have a lot of shoes, you should talk to him,\u2019\u201d Matthews said. They used this snowball method to recruit new interviewees, then hit the road for a large sneaker expo, SNKRMANIA DMV, where they had over 100 attendees fill out surveys.<\/span><\/p>\n\n\n\n

\u201cThey know what leather is used and the quality, they can differentiate between an original and a fake sneaker or a knock-off,\u201d said Degirmencioglu. \u201cI was amazed at the depth of knowledge they acquired over the years and how willing they were to share their passion and knowledge.\u201d<\/span><\/p>\n\n\n\n

After gathering and sifting through the data, they identified three broad themes: \u201cStarted From the Bottom, Now We\u2019re Here,\u201d \u201cAll About the Jumpman\u201d and \u201cFor Members Only.\u201d<\/span><\/p>\n\n\n\n

Started From the Bottom, Now We\u2019re Here<\/b><\/p>\n\n\n\n

Matthews and Degirmencioglu found that the nostalgic nature of sneakers is what lures many sneakerheads into the culture. <\/span><\/p>\n\n\n\n

The sneakerheads they talked to developed a love of sneakers in their childhood; however, many of them were not able to afford the shoes they wanted at the time.<\/span><\/p>\n\n\n\n

\u201cGrowing up in a very modest kind of background, clearly there was a desire [to have the right gear and shoes], but the reality is a lot of stuff you wanted, your parents couldn\u2019t pay the money for them,\u201d said study participant Ray.*<\/span><\/p>\n\n\n\n

Another participant, Miguel, agreed.<\/span><\/p>\n\n\n\n

\u201cThat\u2019s how I got hooked into the sneaker game, I took advantage of making up for all those times when I was a kid where I couldn\u2019t have what I wanted,\u201d he said.<\/span><\/p>\n\n\n\n

Buying the sneakers they want today, or even a retro version of the sneakers they wanted long ago, can be an attempt to fulfill that childhood longing.<\/span><\/p>\n\n\n\n

\u201cThat’s what motivates the purchase — the nostalgia aspect — but also the fact that [they] now have the means to purchase,\u201d said Matthews.<\/span><\/p>\n\n\n\n

All About the Jumpman<\/b><\/p>\n\n\n\n

Matthews and Degirmencioglu found a strong brand preference for Nike, especially Jordans, among the participants.<\/span><\/p>\n\n\n\n

\u201cIt kind of started out of a love for Michael Jordan and basketball,\u201d said study participant Cesar. \u201cIt was…a segue into liking sneakers. Jordans are kind of like a base level for all sneakerheads.\u201d<\/span><\/p>\n\n\n\n

The iconic Jumpman logo features Michael Jordan\u2019s silhouette dunking a basketball; it was first used on the Air Jordan III, released in 1988. <\/span><\/p>\n\n\n\n

\u201cThey all talked about this Jumpman and what that represents… it’s not just about the shoe, but it’s what the shoe represents,\u201d said Matthews. \u201cIt represents Jordan and his athleticism. It started off as wanting to \u201cBe Like Mike\u201d\u2020 [and so] the way that they look at the Jordan brand is very different than any other brand.\u201d <\/span><\/p>\n\n\n\n

Jordans are the gold standard, but for millennials and younger sneakerheads, the cache\u0301 extends to other brand collaborations with celebrities, like Kanye West\u2019s Yeezy collaboration with Adidas, Rihanna\u2019s collaboration with Puma and the upcoming Adidas\/Beyonce\u0301 collaboration.<\/span><\/p>\n\n\n\n

For Members Only<\/b><\/p>\n\n\n\n

Sneakerheads have built their own community — an exclusive culture with unique social practices, said Matthews and Degirmencioglu. They gather at sneaker stores, campout lines and trade shows, but there is a uniquely 21st century way to gain membership in the sneakerhead club: the app. There are numerous apps and websites that cater to the sneakerhead community, including GOAT, Flight Club, stockX and Nike\u2019s SNKRS. These apps are gateways to exclusive information, collections and date drops, and many of them facilitate resale, which can be quite lucrative.<\/span><\/p>\n\n\n\n

\u201cThis is very unique, because sneakers don’t lose value after the purchase,\u201d said Degirmencioglu. \u201cSome of them are limited, so they have higher resale value.\u201d Some resellers make several hundred dollars in profit per pair.<\/span><\/p>\n\n\n\n

And this resale activity is the source of an \u201cus versus them\u201d divide in the sneakerhead community, pitting those who buy and sell sneakers for the love of the shoes against those who are just in it for the money.<\/span><\/p>\n\n\n\n

\u201cHypebeast is the person who only buys things that other people like…You only buy the items for the hype, so that\u2019s a part of the sneaker culture that\u2019s frowned upon,\u201d said study participant Clarence. <\/span><\/p>\n\n\n\n

Another study participant, Zeke, agreed. <\/span><\/p>\n\n\n\n

\u201c[Hypebeasts] don\u2019t really understand the culture,\u201d he said. \u201cThey don\u2019t really know anything about the history of the sneakers. They just want it because that\u2019s the trend or they may be trying to gain profit from it.\u201d<\/span><\/p>\n\n\n\n

Future Research<\/b><\/p>\n\n\n\n

\u201cOne of the implications is that maybe sneaker brands should start to bridge the gap between them versus us, and when they’re doing their marketing, talk about the historical aspect [of the shoe],\u201d said Matthews. \u201cSo the hypebeast can truly understand the historical context, and they would be drawing in those real sneakerheads as well, because they have that connection to the sneakers.\u201d<\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu will continue their research this summer, further investigating a theme that emerged from their work: how some fathers use sneakers to connect with their children.  <\/span><\/p>\n\n\n\n

\u201cIt’s almost a rite of passage. One of the participants [said], \u201cI have these shoes that I’m saving for my son, but he can’t get them until he comes of age and knows how to take care of them.\u2019 So it\u2019s almost like a family heirloom,\u201d said Matthews. <\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu will continue this research with Cryer-Coupet, whose social work research focuses on aspects of fatherhood. Their summer research will culminate in a sneakerhead exhibit and panel, which will feature photography captured of the father\/child pairs interviewed over the summer, as well as a panel discussion featuring sneakerheads, sneaker bloggers and sneaker store owners.  The event is entitled: \u201cSneakerheads: The Intersection of Hip-Hop, Heritage, and Hypebeast,\u201d and will take place on Thursday, September 19 at 6 p.m. in the <\/span>African American Cultural Center<\/span><\/a> in the Witherspoon Student Center.<\/span><\/p>\n\n\n\n

* Study participant names have been changed to protect anonymity<\/span><\/p>\n\n\n\n

\u2020 “Be Like Mike” comes from a song written for a Gatorade commercial featuring Michael Jordan<\/p>\n","protected":false,"raw":"\n\n\n\n\n

Written by Cameron Walker<\/span><\/em><\/p>\n\n\n\n

1985 brought us New Coke, CDs, Nintendo, the first version of operating system Windows and the films \u201cBack to the Future\u201d and \u201cThe Goonies.\u201d But perhaps the most significant pop culture development that year was the fruit of an endorsement deal between NBA rookie Michael Jordan and Nike<\/a>: the Air Jordan sneaker. It became an instant classic. The futuristic shoe captured lightning in a bottle -- the possibility and promise of a rising basketball star was etched in its red, white and black colorway. This was the moment modern sneaker culture was born.<\/span><\/p>\n\n\n\n

Ever since, a thriving subculture of sneaker lovers has grown worldwide. They call themselves sneakerheads -- those passionate about collecting and\/or trading sneakers. Sneakerheads eat, sleep and breathe sneakers; they will camp out for days to get their hands on a limited release pair, they visit trade shows and sneaker conventions, they scour apps and the internet to get the scoop on new celebrity collaborations and drop dates for designer shoes. Some own hundreds, even thousands of pairs, and some pay thousands of dollars for rare finds.<\/span><\/p>\n\n\n\n

The Study<\/b><\/p>\n\n\n\n

Textile and Apparel, Technology and Management<\/span><\/a> (TATM) assistant professor <\/span>Delisia Matthews<\/span><\/a> studies alternative consumption, in which individuals consume apparel, accessories and footwear in different ways or venues, such as fashion trucks or rented clothing.<\/span><\/p>\n\n\n\n

\u201cAnother way that their consumption could be different is them saying, 'I don't just buy here and there, but it is truly a part of my lifestyle and I choose to impulsively, compulsively buy,'\u201d she said. <\/span><\/p>\n\n\n\n

Enter sneakerheads, for whom compulsive consumption is part of life.  <\/span><\/p>\n\n\n\n

Fascinated by sneakerhead culture, Matthews and research assistant Nimet Degirmencioglu, a Ph.D. student in the <\/span>Textile Technology Management<\/span><\/a> program, embarked on a study to uncover and explore the consumer behavior, attitudes and motivations of sneakerheads. The research team also partnered with NC State Department of Social Work assistant professor <\/span>Qiana Cryer-Coupet<\/span><\/a>, who was interested in learning the social impact of the sneakerhead trend. <\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu presented their findings this spring at the National Conference of the Popular Culture Association\/American Culture Association<\/a> in Washington, D.C. <\/span><\/p>\n\n\n\n

In the summer of 2018, Matthews and Degirmencioglu conducted one-on-one, in-depth interviews with self-proclaimed sneakerheads in the Triangle area, starting with local stores. <\/span><\/p>\n\n\n\n

\u201cWhat we found is, once we started having these conversations, [the subjects] are so excited that people truly want to learn about the culture. And so they start sharing, 'Hey, you need to talk to this guy. You think I have a lot of shoes, you should talk to him,\u2019\u201d Matthews said. They used this snowball method to recruit new interviewees, then hit the road for a large sneaker expo, SNKRMANIA DMV, where they had over 100 attendees fill out surveys.<\/span><\/p>\n\n\n\n

\u201cThey know what leather is used and the quality, they can differentiate between an original and a fake sneaker or a knock-off,\u201d said Degirmencioglu. \u201cI was amazed at the depth of knowledge they acquired over the years and how willing they were to share their passion and knowledge.\u201d<\/span><\/p>\n\n\n\n

After gathering and sifting through the data, they identified three broad themes: \u201cStarted From the Bottom, Now We\u2019re Here,\u201d \u201cAll About the Jumpman\u201d and \u201cFor Members Only.\u201d<\/span><\/p>\n\n\n\n

Started From the Bottom, Now We\u2019re Here<\/b><\/p>\n\n\n\n

Matthews and Degirmencioglu found that the nostalgic nature of sneakers is what lures many sneakerheads into the culture. <\/span><\/p>\n\n\n\n

The sneakerheads they talked to developed a love of sneakers in their childhood; however, many of them were not able to afford the shoes they wanted at the time.<\/span><\/p>\n\n\n\n

\u201cGrowing up in a very modest kind of background, clearly there was a desire [to have the right gear and shoes], but the reality is a lot of stuff you wanted, your parents couldn\u2019t pay the money for them,\u201d said study participant Ray.*<\/span><\/p>\n\n\n\n

Another participant, Miguel, agreed.<\/span><\/p>\n\n\n\n

\u201cThat\u2019s how I got hooked into the sneaker game, I took advantage of making up for all those times when I was a kid where I couldn\u2019t have what I wanted,\u201d he said.<\/span><\/p>\n\n\n\n

Buying the sneakers they want today, or even a retro version of the sneakers they wanted long ago, can be an attempt to fulfill that childhood longing.<\/span><\/p>\n\n\n\n

\u201cThat's what motivates the purchase -- the nostalgia aspect -- but also the fact that [they] now have the means to purchase,\u201d said Matthews.<\/span><\/p>\n\n\n\n

All About the Jumpman<\/b><\/p>\n\n\n\n

Matthews and Degirmencioglu found a strong brand preference for Nike, especially Jordans, among the participants.<\/span><\/p>\n\n\n\n

\u201cIt kind of started out of a love for Michael Jordan and basketball,\u201d said study participant Cesar. \u201cIt was...a segue into liking sneakers. Jordans are kind of like a base level for all sneakerheads.\u201d<\/span><\/p>\n\n\n\n

The iconic Jumpman logo features Michael Jordan\u2019s silhouette dunking a basketball; it was first used on the Air Jordan III, released in 1988. <\/span><\/p>\n\n\n\n

\u201cThey all talked about this Jumpman and what that represents... it's not just about the shoe, but it's what the shoe represents,\u201d said Matthews. \u201cIt represents Jordan and his athleticism. It started off as wanting to \u201cBe Like Mike\u201d\u2020 [and so] the way that they look at the Jordan brand is very different than any other brand.\u201d <\/span><\/p>\n\n\n\n

Jordans are the gold standard, but for millennials and younger sneakerheads, the cache\u0301 extends to other brand collaborations with celebrities, like Kanye West\u2019s Yeezy collaboration with Adidas, Rihanna\u2019s collaboration with Puma and the upcoming Adidas\/Beyonce\u0301 collaboration.<\/span><\/p>\n\n\n\n

For Members Only<\/b><\/p>\n\n\n\n

Sneakerheads have built their own community -- an exclusive culture with unique social practices, said Matthews and Degirmencioglu. They gather at sneaker stores, campout lines and trade shows, but there is a uniquely 21st century way to gain membership in the sneakerhead club: the app. There are numerous apps and websites that cater to the sneakerhead community, including GOAT, Flight Club, stockX and Nike\u2019s SNKRS. These apps are gateways to exclusive information, collections and date drops, and many of them facilitate resale, which can be quite lucrative.<\/span><\/p>\n\n\n\n

\u201cThis is very unique, because sneakers don't lose value after the purchase,\u201d said Degirmencioglu. \u201cSome of them are limited, so they have higher resale value.\u201d Some resellers make several hundred dollars in profit per pair.<\/span><\/p>\n\n\n\n

And this resale activity is the source of an \u201cus versus them\u201d divide in the sneakerhead community, pitting those who buy and sell sneakers for the love of the shoes against those who are just in it for the money.<\/span><\/p>\n\n\n\n

\u201cHypebeast is the person who only buys things that other people like...You only buy the items for the hype, so that\u2019s a part of the sneaker culture that\u2019s frowned upon,\u201d said study participant Clarence. <\/span><\/p>\n\n\n\n

Another study participant, Zeke, agreed. <\/span><\/p>\n\n\n\n

\u201c[Hypebeasts] don\u2019t really understand the culture,\u201d he said. \u201cThey don\u2019t really know anything about the history of the sneakers. They just want it because that\u2019s the trend or they may be trying to gain profit from it.\u201d<\/span><\/p>\n\n\n\n

Future Research<\/b><\/p>\n\n\n\n

\u201cOne of the implications is that maybe sneaker brands should start to bridge the gap between them versus us, and when they're doing their marketing, talk about the historical aspect [of the shoe],\u201d said Matthews. \u201cSo the hypebeast can truly understand the historical context, and they would be drawing in those real sneakerheads as well, because they have that connection to the sneakers.\u201d<\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu will continue their research this summer, further investigating a theme that emerged from their work: how some fathers use sneakers to connect with their children.  <\/span><\/p>\n\n\n\n

\u201cIt's almost a rite of passage. One of the participants [said], \u201cI have these shoes that I'm saving for my son, but he can't get them until he comes of age and knows how to take care of them.\u2019 So it\u2019s almost like a family heirloom,\u201d said Matthews. <\/span><\/p>\n\n\n\n

Matthews and Degirmencioglu will continue this research with Cryer-Coupet, whose social work research focuses on aspects of fatherhood. Their summer research will culminate in a sneakerhead exhibit and panel, which will feature photography captured of the father\/child pairs interviewed over the summer, as well as a panel discussion featuring sneakerheads, sneaker bloggers and sneaker store owners.  The event is entitled: \u201cSneakerheads: The Intersection of Hip-Hop, Heritage, and Hypebeast,\u201d and will take place on Thursday, September 19 at 6 p.m. in the <\/span>African American Cultural Center<\/span><\/a> in the Witherspoon Student Center.<\/span><\/p>\n\n\n\n

* Study participant names have been changed to protect anonymity<\/span><\/p>\n\n\n\n

\u2020 \"Be Like Mike\" comes from a song written for a Gatorade commercial featuring Michael Jordan<\/p>\n"},"excerpt":{"rendered":"

Fascinated by sneakerhead culture, TATM assistant professor Delisia Matthews and research assistant Nimet Degirmencioglu, a Ph.D. student in the Textile Technology Management program, embarked on a study to uncover and explore the consumer behavior, attitudes and motivations of sneakerheads.<\/p>\n","protected":false},"author":12,"featured_media":28075,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"source":"","ncst_custom_author":"","ncst_show_custom_author":false,"ncst_dynamicHeaderBlockName":"ncst\/default-post-header","ncst_dynamicHeaderData":"{\"showAuthor\":true,\"showDate\":true,\"showFeaturedVideo\":false,\"caption\":\"\",\"displayCategoryID\":2135}","ncst_content_audit_freq":"","ncst_content_audit_date":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[490,512,496],"tags":[1936,1937,1938,1875,1939,1940,1941,1942,1367,1773,1943,629,1944,1414,1945,1946,1947,585,740],"displayCategory":null,"acf":[],"yoast_head":"Studying Sneakerheads - 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